Licks3 Hirajoshi and Pelog

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Hi, this lesson covers some licks I wrote applying some extended arpeggios of the lesson

ARPEGGIOS # 2

Hirajoshi pentatonic scale (1,9,b3,5,b6)
Pelog hexatonic scale
(1,b9,#9,3,5,b6)

 

The Hirajoshi and Pelog scales are also very versatile and nice scales. Hirajoshi works well over minor and lydian chords and the Pelog over Dominant chords. The use of both scales give a certain sense of tension/relax over the phrasing undoubtedly they give some “spice” to the language.

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MORE INFO OF THE PRODUCT PLEASE CLICK HERE

Hi, this lesson covers some licks I wrote applying some extended arpeggios of the lesson

ARPEGGIOS # 2

Hirajoshi pentatonic scale (1,9,b3,5,b6)
Pelog hexatonic scale (1,b9,#9,3,5,b6)

The Hirajoshi and Pelog scales are also very versatile and nice scales. Hirajoshi works well over minor and lydian chords and the Pelog over Dominant chords. The use of both scales give a certain sense of tension/relax over the phrasing undoubtedly they give some “spice” to the language.

On the music sheet I wrote the music notes, tab, right hand technique and indications of the arpeggios I used based on the lesson Arpeggios #2 .

Is really important to notice that these Licks can be played superimposed, be creative!.

To get the most out of it I recommend first to analyze each lick, try to play it as slow as possible following all the instructions of analysis and right hand technique.
These detail explanations represents the technique I´m developing right now but off course, if you want to change (according to the technique you are approaching: fingering, position in the fretboard, right hand etc), is nice, feel free to do it.

Is really important to analyze the lick you are studying and once you know what is happening, transpose it (12 keys please!).

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