Hi, this lesson covers a very nice aspect of technique and playing.

I think the use of “designed arpeggios” is a priceless tool in order to enrich the vocabulary in your playing and composition.

Had a big influence in the design of arpeggios following the “212” Tim Miller´s construction (Not always is the same patron, sometimes is “121”, sometimes more patrons). 212 refers on playing 2 notes on the 6th string (or lowest string), 1 note on the 5th string, 2 on the 4th string and so on. By this, on a 6 string guitar you´d have a 9 note arpeggio.

This lead me to explore this type of playing having in mind the quantity of notes per string. All the notes of the arpeggios are from the scale, In this particular lesson I listed 9 arpeggios for the:

Diminished Scale (T+1/2): 1-9-b3-4-b5-b6-6-7

These ones are really nice, use this over a dominant chord bring a “spice taste” to the vocabulary.

Tried to follow these steps as a principle for the right hand: When the arpeggio is Ascending, downstroke to all the strings except 4th and 2nd string, those strings attack them with the middle finger (hybrid picking). When the arpeggio is descending, upstroke to all the strings (Sweep). When you have two notes per string: hammer on , pull off or slide in other words: just one attack per string. Articulate them.

On the music sheet I wrote the notes and tab. Each bar represents a string (so there will be 6 bars in total for each arpeggio, sorry the desings are for 6 string guitars, but if you have a 7th string guitar I encourage you to add those notes 🙂 ); The first bar is the 6th string, 2nd bar the 5th string and so on. All the examples are in C. The circled numbers represent the degree (thinking in degree relationships helped me a lot to interiorize more quickly the arpeggios).

Is really important to notice that these Arpeggios can be played superimposed, be creative!.

To get the most out of it I recommend first to analyze each arpeggio, try to play it as slow as possible following all the instructions of analysis, right hand technique and articulations.
These detail explanations represents the technique I´m developing right now but off course, if you want to change (according to the technique you are approaching: fingering, position in the fretboard, right hand etc), is nice, feel free to do it.

Is really important to analyze the arpeggio you are studying and once you know what is happening, transpose it.

With the purchase you´ll have a backing track drawing the Diminished scale for you to practice the arpeggios. Preview of the backing track:

..

I hope this is useful and that you enjoy it.

Dig it.

Please feel free to comment.

“I encourage you to upload anything you studied from here to social media and tag me if you want, I´ll repost”

The lesson includes:
– A single PDF with 9 designed arpeggios approaching all the details explained above.
– A Private video link with me playing each arpeggio at different tempos.
(Once you purchase, please let me know if you want me to send you the video via We Tranfer instead of the private link, its ok)
– 2 Backing tracks (one with a metronome click, the other one without it) for practicing the arpeggios.

If you want a free download link for the latest “Lick or sheet”, discounts and much more then please sign up for my newsletter here below.

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This is a online friend´s metronome. Is really nice for practicing you can automate different time signatures and tempos. Recommended.

METRONOME

On the following video you can see further details with what is included with the package.

Teaser in Spanish:

Teaser in English:

LINK TO PURCHASE.
(Please note that digital downloads are non-refundable)
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Arpeggios #3 Diminished Scale
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